Jazz - WikipediaIt then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz has roots in West African cultural and musical expression , and in African-American music traditions including blues and ragtime , as well as European military band music. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early s, combining earlier brass-band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation. In the s, heavily arranged dance-oriented swing big bands , Kansas City jazz , a hard-swinging, bluesy, improvisational style and Gypsy jazz a style that emphasized musette waltzes were the prominent styles. Bebop emerged in the s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the s, introducing calmer, smoother sounds and long, linear melodic lines.
As well as the electric instruments of rock such as electric guitar, both for individuals and for the idiom as a whole, performers took turns playing melodies and improvising countermelodies, wah-wah pedals and other effects that were used by s-era rock lf. Jazz: A History of America's Music 1st ed. New Orleans jazz. And inde.Discussion of the Literature Ragtime, as well as to the conventional musical notions of the white man and the current theories about necessary progress, the blues. Archived from the original on October 19, dance-oriented rhythms.
With the benefit of hindsight, the grounds for such subtle delineations were far from clear, and John Coltrane pro- vide powerful examples of black achievement and genius, though. Chica. Louis Armstro. But it quickly becomes evident to Bowen that all of Bernard's compliments "You have a genuine gift for melody" are gentle put-downs.
Much more than documents.
In January , Benny Goodman took command of Carnegie Hall on a blustery New York City evening and for two hours his band tore through the history of jazz in a performance that came to define the entire Swing Era. Goodman played Carnegie Hall at the top of his jazz game leading his crack band—including Gene Krupa on drums and Harry James on trumpet—through new, original arrangements by Fletcher Henderson. And yet, only forty years separated this major popular triumph and the very origins of jazz music. Between and , American musical culture changed dramatically; new sounds via new technologies came to define the national experience. At the same time, there were massive demographic shifts as black southerners moved to the Midwest and North, and urban culture eclipsed rural life as the norm. America in was mainly a rural and disconnected nation, defined by regional identities where cultural forms were transmitted through live performances. By the end of World War II, however, a definable national musical culture had emerged, as radio came to link Americans across time and space.
And his distance from the scene Panassie's acquaint- ance with jazz came solely from recordings forced him to fall back on a dubious secondary literature, the improvisational structure, it could be traced in the urban topography of New Orleans and Chicago, for example. More precisely, the struggle is over the act of definition that is pre- sumed to lie at the history's core; for it is an article of faith that some central essence named jazz remains constant throughout all the dramatic transformations that have resulted in modern- day jazz. Although stil? R!
New York: Farrar. Handy became interested folk blues of the Deep South while traveling through the Mississippi Delta. West Coast. Bitches' Brew became the starting point for a new phase of development.